![]() |
16ORO Winner of Golden Short |
per la capacità di avere trattato il tema dell'olocausto in modo raffinato, pulito, classico, privo di colpi di scena, con il supporto di dialoghi semplici, ma interpretati in modo perfetto, per dare respiro alla silenziosa memoria della tregedia.
| Best seduct film |
WRESTLING di Grimur Hàkonarsson (Iceland) |
| Best woman director |
Sarah Cox in DON'T LET IT UNRAVELL (UK) |
| FICTION WORLD |
SALVADOR by Abdelatif Hwidar (Spain) |
| FICTION ITALY | IL TORNEO by Michele Alhaique (Italy) |
| CORTOONIA | Michele Alhaique by Uri-Michal Kranot (Israel) |
| D/O/C | VIDA LOCA by Stefania Andreotti (Italy) |
| CORTOLAB | MEMOIRES D'UNE FAMILLE CUBAINE by Yan Vega (France) |
| CORTOexpress | 18 SEGUNDOS by Bruno Zacarias-Miguel Ximénez (Spain) |
| CORTIMIGRATORI | HAVE YOU EVER HEARD ABOUT VUKOVAR? by Paolo Borraccetti (USA) |
| Best ORIGINAL MUSIC |
THE COLONY by Jeff Barnaby (Canada) |
| Best Film UNIVERSITY | QUEENS UP by Nitzan Gilady (Israel) |
| Best Film AUDIANCE AWARD | LA RITIRATA by Elisabetta Bernardini (Italy) |
| Best Film AUDIANCE AWARD | IL LAVORO by Lorenzo De Nicola (Italy) |
| Best Acting | DE FALCO LUCIANA in "La Grande Menzogna" (Italy) |
| Best Acting | ROELAND WIESNEKKER in "Auf Der Strecke" (Switzerland) |
| Best Film FEDIC | CANTO by Monica Petracci (Italy) |
| Best Film CIAK DONNA | A PIEDI NUDI SUL PALCO by Andrea Rovetta (Italy) |
| Special Mention FictionWorld | ROBIN by Hanno Olderdissen (Germany) |
| Special Mention FictionWorld | I LOVE SARAH JANE by Spender Susser (Australia) |
| Special Mention FictionWorld | AUF DER STRECKE by Reto Caffi (Switzerland) |
| Special Mention FictionWorld | THE LAST DOG OF RWANDA by Jens Assur (Sweden) |
| Special Mention Italyn Style | GIGANTI by Fabio Mollo (Italy) |
| Special Mention FictionItaly | DORA by Sergio Basso (Italy) |
| Special Mention FictionItaly | IL BAMBINO DI CARLA by Emanuela Rossi (Italy) |
| Special Mention Cortoonia | BERNIE'S DOLL by Yann Jouette (France) |
| Special Mention CortoLAB | ADJUSTEMENT by Ian Mac Innon (UK) |